Typewriter Text to Your Computer

Hi, there. I know that it's been a while. It appears that I've been writing these things monthly. I guess my writing has kept me busier than I thought.


On that note, since I've been using a typewriter to do my rewrites, I've been looking for a way to convert scanned PDFs of my chapters into text. I noticed that Adobe had that option for roughly $20 a year and looked into it. Well, according to reviews that I searched for because I needed to know if they could convert text that had been typed out with a typewriter, I found that their PDF to Word conversions couldn't handle it. Why? Apparently their OCR software couldn't read the inconsistencies that come with typewriter text.


For those who don't know, OCR is the alphabet soup term for optical character recognition software. It's a program that reads the characters of a text and tries to turn it into the closest representation possible. From my research I discovered that most versions of the software aren't good enough to handle inconsistent characters well. None of them can handle handwriting. It was frustrating. Then I found this article that listed 10 softwares that have free options, five for online and five for desktop. It pretty much did the work for me.


I experimented a bit with the Google Docs option, but my PDF files were all too big. So decided to try the one that the article recommended: OnlineOCR. To say that this was a god send would be a little over the top because the free service can be a little limited. It only does 5 pages an hour for guest users. So, I suggest registering if you're going to use this service. They give you 20 credits (a credit per page) to start out and you can do PDF files, an option you don't have when a guest user. Additional credits can be purchased, or earned through their Bonus Program.


I took advantage of the 20 credits, and had one of my PDFs converted. It took a minute for the file to upload to the site, but then the conversion was relatively quick. (Although, this could depend on your internet speed, and your computer.) Even though it wasn't entirely accurate, OnlineOCR did a pretty good job. I'll still have to go through and fix the little problems like wrong letters, missing words, and formatting, but it beats transcribing my work. While not perfect, the service saved me quite a bit of time and effort that I can put back into my writing. (And gave me a good laugh. It's like reading auto-correct texts.)


So there you are. My first advice blog to the people who can't afford one of those fancy USB Typewriters or have the skills to do their own soldering. Or for those who have a monster collection of those clack-clack machines and still transcribe their own writing. I'm sure many of you have looked into such software, and been unhappy. So far, I have not been disappointed.


Now back to my novel.




Update: If you are a blogger, and are happy about the service that Online OCR provides, they will reward you credits for a blog review written by you. Just make sure you send them an email with the link, something not posted on the site that I had to discover by myself. It's worth it if you have a mound of pages. (Added 5/21/12)

It's Amazing How Much Time A Novel Sucks Up

For those of you who are kind enough to read my blog, I apologize for the lack of posts lately. I've been trying to get my novel extended before I go into major edits. My whole goal is to have it ready to be published by the end of the year due to pressure from family members and a couple friends.


To update: The beta response to my novel has been overall good. The major complaints mostly focus on a few story snags and grammar issues like comma placement. Apparently, I am not lacking in the creativity department. I have actually been complimented on my limited use of stereotypes. Most people give me thumbs up on character development and pacing despite a slow start.


As for the extensions, I have written chapters 21 through 23, and am currently working on my normal three rounds of edits before I submit them for critical eyes. I want to make sure that my additions are going to round out the story like my beta testers want or I may have to reassess my story. I doubt that will happen, but I like to plan for my worse case scenario. (For those who aren't familiar, I'm tacking on another 12 chapters to the original 20.)


And my typewriter purchase. So far I can get it to function pretty well. I probably needs cleaned. I'm happy with my baby. I would post up an example of what I've typed out with it, but I'm having troubles getting my computer to recognize that my printer also has a scan function. For know I only have pictures of what it looks like. I introduce my new Smith & Corona Skyriter.

Such a nice little machine. It's only about the size of a 2 inch binder.

The guts. For now I'm trying to fix all the sticking issues the left spool has. 

So, as those who are nice enough to read this can see, it's a nice little machine with only a few problems. I'm glad I fought that other bidder on ebay for it. Paid more than I wanted to, but probably better than some of the others people wanted more for.


Now back to my edits.

What I Have Discovered About Writing Fantasy

This week, I am not going to bitch about how poor I am. Instead, I am going to talk about my nerdy little passion: writing fantasy.


I don't just write, as I have said many, many times. No, I write fantasy. I'm the person who dreams of places with weird names and weird species, and puts them down on paper. I watch as Microsoft Word freaks out with its little red and green squiggly lines as I try to type in words that its software brain cannot comprehend. (I have since become pro at ignoring the little buggers unless it is a true spelling crisis.)


Despite the frustration of trying to get my computer to respond to what I want, the truth is that I do not follow "typical" fantasy conventions as I have found out so frequently when my work on Book Country is reviewed. I have discovered that my work can be awfully polarizing, with people loving the wit and character interaction, and others spitting upon it for its lack of Tolkienesque details. When I set out to work on my book seriously sometime during my freshman year in college, I realized I wanted to write something that people would be able to read and connect to without being bogged down in unnecessary detail and background information like I had come across in fantasy so frequently.


To clarify, I do engage in world building to give people a setting, a place to escape to. The characters that are created must exist and interact in this world. You can't just throw in characters and not tell the audience what the laws, rule, or customs are. (Actually, don't tell. Show. But thats for an entirely different blog entry.) My point is that I don't like to overdo it. The people who don't like my work prefer whole paragraphs where I describe in minute detail what the street the character is standing on looks like, or the mountain top, or etc.


Too bad. If it isn't relevant, I don't put it in. I'm not going to describe the bar across the street unless my character goes into the bar at some point. For readers who want that kind of detail, read George RR Martin. The fact that I don't bog the reader down in unnecessary details is one thing those that like my work praise me on. I don't "let the genre rule me," as my creative writing professor told me once.


If there is one thing that I've learned from writing, period, is that people want action to happen with characters they can connect with. That is what I'm trying to achieve. I've come to the conclusion that if people can get that, then they might give it a try. With my work, I attract people who read just about anything from any genre, than those who read pretty much anything and everything fantasy. Those into "High Fantasy" really, really don't like my stuff. (I have yet to discover if this is a good or bad thing.)


For now I just keep chugging along in the hope that my audience will pop up and show itself. I've had from the "This is awesome!" to "Uh, no..." to those who missed every single important detail ever written down. For those of you who want to give my book a shot, here is the link: Hands of Ash.


I'll keep writing fantasy until my hands fall off. So all the naysayers can suck it, because I love being a such a geek.

An Observation of Character

I've been cranking out the words lately, and I realized something about the characters that I create. Most of them are female, young, and don't like to follow the rules that society has set for them. They say that you put yourself in your writing, but I wonder if there might be an element of wishful thinking. They all do something that involves an element of bravery (or stupidity, depending on your perspective).

First there is my pride and joy, Melody. She isn't the best fighter, and probably not the smartest person to ever walk the earth, but she's got spunk. She wants nothing more than to be accepted for who she is regardless of gender or position, yet has a habit of inserting herself into other people's business. She's the main character of my novel Hands of Ash.

Then there is Tao. She's not the most pleasant person on the planet. Her cynical attitude and issues with the religious institution she's stuck working for make her difficult to deal with. She smokes like a chimney and will say a whole slew of unseemly things about your personality. She's rude and unseemly, yet is quickly turning into a fan favorite. Read her story here: Principium. She's also a character in my novel Hands of Ash.

The newest female protagonist to join my growing list is Scarlet the bandit. She came around as I was writing a story for a contest. The theme was to write a story from a villain's perspective. I decided to pick a female and go satirical. What I got can be read here: Why I Ain't No Hero. She's lewd and manipulative. Scarlet is perhaps the most masculine of my first two characters, and that's saying something.

In my current work I have a young woman named Mariann. Mariann is perhaps the meekest and most effeminate of my ladies. She keeps her head down and goes with the flow, but she wants out of the life she's been stuck with. Unlike Melody, Tao, and Scarlet, she's subtle. This was surprisingly easy to write for me even though my previous ladies usually have an element of loudness to them. Of course, this story is intended to be a tragedy, a sobering genre to begin with. I'll post a link for "Papers to Paradise" when I get it finished.

Not all my protagonists are female. There is Adamar. I have written one story about him, and have a second one in progress. (I actually didn't like the second one I wrote, so I'm rewriting it.) Unlike my ladies, he's quite and perhaps more mature. He also is more cerebral than the girls, but not  the scholarly type. To say he's a worrier is not an overstatement. He spends most of his time trying to figure out what it means to be a Warrior, and what is the purpose of war. Yeah, he's a tad on the deep side. His first story is here: Red Autumn.

I had started a story for Cyn Fang, yet it has gone nowhere beyond a couple hundred words. Like Adamar, he's on the quiet side. He's also calculating. I don't know what this says about my view of women and men, but for all those who like to psychoanalyze everything, there it is.

I think I've said enough about my characters. I'll let you be the judge.

Note: I don't know if the site I've linked the stories from will let nonmembers read more than one if linked to it like I have. Let m know if you have problems for those who are interested.

The Love I Give To Chapter 9

Ah, Chapter 9. You are the biggest headache of my life right now.


I know my overly dramatic statement might seem like hyperbole, but in all honesty, I think my finances are easier at this point. I have a couple longer chapters to revise, yet none are quite so depressing as 9. There is death, weeping, and all the horrible sentences I wrote when I was putting converting it to a digital medium. You see, 9 is the chapter where I learned my lesson that you should never be bored with what you write, or bored while you write. Then, when you go back and revise you get this...

I know. Isn't it such a lovely mess, but it doesn't end there. I have plenty more where that came from.

Yes, those are post-it notes. I had to come up with something to put entire chapter rewrites on since I print double sided. (Although, the first copy I made of the revision I flubbed and printed single side. 25 pages wasted when I could have cut that in half. Sorry, trees.)

I know that some of you reading this are saying that is how they should look after a good, hard editing session. A writer should cut out the sentences and words that are unneeded. Dialogue and descriptions that aren't up to par should be rewritten or chucked in the garbage can to be taken away with the refuse, but here is the thing that shouldn't happen. An editing session on a chapter shouldn't take two weeks. Yes, folks. Two whole weeks, maybe even longer.

You see, when writing this initially, I was bored out of my mind. I wanted to get it done so bad that I wrote a ton of whitewash boring sentences. There was no flavor, no spice, no love to them. Then I had to fix them. The reason it took so long, is that when I found myself feeling tired, I put it aside. I did not want 9 to have no flavor like it did before. I wanted it to be engaging. I wanted it to be filled with the love of the craft. 

I don't know if I have succeeded at this point. I still have one more revision to do on it before I repost it up at my sources. Then it will be allowed to join the pile.

Above is the pile of folders for the Prologue through chapter 8. They wait patiently for me to put 9 through 14 with them, maybe even 15 since I'm almost done. I guess I will just have to take up the NaNoWriMo call and finish my novel before the end of November. (Thanks for making me feel guilty, Typewriter Mike.) Whether I get there or not depends on how persistent I am...

... and how good Skyrim is.

If you know me, text me, email me, Facebook me, or kick me and tell me to get my ass going. I know my husband isn't going to be the one to light the fire under my ass.

Editing Blows

Every writer will have to endure the pain caused by the red pen. Yes, the metaphorical red pen used to strike out every unnecessary word in each sentence. The pen responsible for the destruction of complicated phrases with a simple line. The pen that will add the addition of a forgotten comma. Does this scenario sound familiar? If you have written anything that has seen review, then you have experienced the art of editing.


Editing is important. It is what cleans up a work and makes it presentable for other's eyes and ears. It is a necessary, but difficult process. I have lately been engaging in this tortuous activity. Everyday I sit and reread things that I have read a hundred times before, a pencil in my hand. I have learned that you do not always catch every flaw on the first pass. You must go over the script again and again to find what you have missed.


The first time I began to take editing seriously was when I took my first creative writing class in college. My professor was a stickler for clean manuscripts. Even though we didn't workshop, he could tell if you didn't run over it a few times just by reading it once. As it turns out, he used to teach a grammar course on top of teaching for over forty years. He would look over the edge of your story as he handed it back to you, accusation in his eyes. "You didn't edit," he would say. After that, I always revised more than once.


Working on my first novel has taught me that not everything is perfect even after  you believe it is. I have been over the first chapters numerous times, and still find faults. Sometimes I have to stop myself from changing a sentence just because I don't like it. I have to stop myself from over-editing, yet I still look. I look for that errant comma, or the sentence that can be broken up into two. I look for a missing capital letter, or a an improper word usage. I do everything to make sure that others can read it without cringing in horror.


As important as editing is, it is tedious and time consuming. Editing blows.